Speed and silence are important qualities. The narrow focus ring and ultra-sonic motor (USM) technology make the autofocus of this model much faster and quieter than other lenses. Using the Canon EF-S 17-55mm f/2.8, you’ll notice that focusing is made much easier. This lens is considered one of the best to use with Canon crop-sensor bodies because of all the ways and situations in which you can use it.
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Having a lens with a wider aperture is fantastic in dim light.įrom the shallow depth of f/2.8 to the deeper depth of field at f/22, you can expect to use the full range of apertures when pairing this glass with the Canon EOS 80D body.
This wide-angle zoom lens has wider aperture capabilities, which will give you more options for shooting and will produce clearer, sharper images. The Canon EF-S 17-55mm f/2.8 IS USM is a beautiful lens. A close shooting distance like that means that in addition to being a great ultra wide-angle zoom lens, this 10-18mm from Canon also has impressive wide macro shooting abilities.įor photographers and videographers alike, the powerful, four-stop optical image stabilizer of this lens is an impressive feature that is ideal for slower shutter speeds and shooting in Live View mode. This lens has a minimum shooting distance of 22cm. These qualities are especially important for getting sharply focused, spontaneous shots.įast, quiet autofocus is a key component in this lens. The Canon 10-18mm f/4.5-5.6 has notable speed and smooth focusing abilities that make it the ultimate budget wide angle for both videography and photography. Ultra wide-angle perspective distortion is a type that you can have fun with and try to incorporate in your image or video as a unique, additional element. You can also use this distortion to your creative advantage. Don’t forget that you can always crop your image later! You won’t be able to make up for the edges that get corrected out of the frame if you shoot too close. You should always check your image previews after turning on this feature, and we suggest going into your settings and changing the preview time to 8 seconds or longer so that you can take a good look at all the details and make sure the effect isn’t sacrificing any important elements. If you don’t want to sacrifice the edges of your shot, back up a few feet or make other appropriate accommodations to retain the integrity of your image framing.
Keep in mind that turning on the distortion aberration correction function will narrow your image slightly. This means that you can turn on the distortion aberration correction function to correct straight line distortion.
One of the many reasons why we recommend using this particular lens with this particular camera body is because the aberration correction data of the Canon 10-18mm f/4.5-5.6 is registered in the Canon 80D. If you’re shooting buildings, for example, the buildings will curve on the edges due to this distortion. The only disadvantage is that these lenses produce a distinctive perspective distortion that is unique to all ultra-wide-angle lenses. It’s for this reason that wide-angle lenses are so great to have in your kit: they can capture many more elements in a single image than any other lens. This ultra-wide-angle zoom lens is ideal for use with the Canon 80D because it can capture the widest range of view possible. One of the best lenses you can use with the Canon EOS 80D DSLR camera body is the Canon EF-S 10-18mm f/4.5-5.6 IS STM.
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